. . "-10.4"^^ . . "UK Singles Chart number-one singles" . . "Modernist compositions" . "Billboard Hot 100 number-one singles" . . "217000.0"^^ . "2011 singles" . "0.290269"^^ . . "Number-one singles in the United States" . . "The Beach Boys songs" . "Capitol Records" . "Nonesuch Records" . "5714dee725ac0d8aee5396c7" . "United Western Recorders, CBS Columbia Square, Gold Star Studios, and Sunset Sound Recorders, Hollywood" . "Number-one singles in Australia" . "T Multitracks/The Beach Boys - Good Vibrations (LIVE)" . "2004 singles" . "2003-05-29"^^ . "Brian Wilson" . . . "0.705205"^^ . "1966 songs" . "Good Vibrations" . "Songs written by Mike Love" . . "Capitol Records singles" . "699188"^^ . "Psychedelic pop songs" . "Song recordings produced by Brian Wilson" . "0"^^ . "Brian Wilson" . "Singles certified gold by the Recording Industry Association of America" . "Songs written by Brian Wilson" . . "Number-one singles in New Zealand" . "," . . "Todd Rundgren songs" . "Mike Love" . . "Songs used as jingles" . . . "Good Vibrations" . "false"^^ . "0.77519"^^ . . "3091992" . "Progressive rock songs" . . "english" . "Tony Asher" . "1966-09-21" . "Grammy Hall of Fame Award recipients" . "Psychic TV songs" . "PT217.05249433S"^^ . "Rock ballads" . . "1966-10-10"^^ . "Brian Wilson songs" . . "Songs written by Tony Asher" . . . . . "Jan and Dean songs" . "150.0"^^ . . "20"^^ . "false"^^ . . "789d7579-cb0f-4a1f-bc14-27c059a8d276" . "false"^^ . . . . . "Pop ballads" . "Todd Rundgren" . "2179" . "%22Good Vibrations%22 is a song by American rock band the Beach Boys, released as a single in October 1966. The song was composed and produced by Brian Wilson with lyrics by Mike Love. Initiated during the sessions for the Pet Sounds album, it was not taken from or issued as a lead single for an album, but rather as a stand-alone single, with the Pet Sounds instrumental %22Let's Go Away For Awhile%22 as a B-side. %22Good Vibrations%22 would later be considered for the aborted Smile project, and ultimately was placed on the album Smiley Smile 11 months after its release.Wilson has recounted that the genesis of the title %22Good Vibrations%22 came from when his mother explained to him as a child that dogs sometimes bark at people in response to their bad vibrations. Fascinated by the concept, Wilson turned it into the general idea of limbic resonance or extrasensory perception, and developed the rest of the song as it was recorded.Building upon the layered production approach he had previously formulated on Pet Sounds, Wilson recorded it piecemeal using several Los Angeles studios throughout the course of eight months, resulting in a cut-up mosaic of musical episodes marked by several discordant key and modal shifts which underlay choral fugues. Band publicist Derek Taylor dubbed the work a %22pocket symphony,%22 as it features an exotic array of instruments considered unusual for a popular song of its time, including prominent use of a jaw harp and the relatively new Electro-Theremin, along with conventional instruments played in ways novel to a pop hit, such as its cello and string bass which play a bowed tremolo over the song's chorus. The total production costs exceeded those of any music single ever produced.Acknowledged as a work of 1960s modernism, Wilson is credited with further developing the use of the recording studio as an instrument. Its success earned the Beach Boys a Grammy nomination for Best Vocal Group performance in 1966 and the song was eventually inducted into the Grammy Hall of Fame in 1994. An early psychedelic pop classic of the counterculture era, it has featured highly in many charts, being voted number one in the Mojo Top 100 Records of All Time chart in 1997 and number six on Rolling Stone\u200D\u200A'\u200Bs list of the %22500 Greatest Songs of All Time.%22 The song %22Good Vibrations%22 is part of the The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list." . . . "Gramophone record" . "\u2013" . "1966 singles" . "USCA20100360" . . "Psychedelic rock songs" . "Counterculture of the 1960s" . "1960s ballads" . .