. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Zirku"@eu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u9A6C\u620F\u5718\uFF08\u82F1\u8A9E\uFF1ACircus\uFF09\uFF0C\u4E00\u822C\u6307\u5305\u62EC\u6709\u96DC\u6280\u3001\u53D7\u8BAD\u8FC7\u7684\u52A8\u7269\u3001\u5C0F\u4E11\u3001\u9B54\u672F\u53CA\u5176\u4ED6\u7279\u6280\u7684\u8868\u6F14\uFF0C\u4EE5\u5A31\u4E50\u89C2\u4F17\u4E3A\u76EE\u7684\u3002 \u6853\u5BBD\u300A\u76D0\u94C1\u8BBA\u300B\u6709\u300C\u9A6C\u620F\u9B25\u864E\u300D\u7684\u8BB0\u8F7D\u3002\u5510\u4EE3\u9A6C\u620F\u8868\u6F14\u300C\u900F\u5251\u95E8\u4F0E\u300D\uFF0C\u8868\u6F14\u8005\u4E58\u5C0F\u9A6C\uFF0C\u5954\u817E\u8DF3\u8DC3\uFF0C\u98D8\u5FFD\u800C\u8FC7\u30021871\u5E74\u73B2\u73B2\u99AC\u6232\u5718\uFF08Ringling Bros.and Barnum & Bailey\uFF09\u6210\u7ACB\uFF0C1919\u5E74\u6210\u7ACB\uFF0C\u64C1\u6709\u8D85\u904E4,000\u540D\u8868\u6F14\u8005\u53CA1,000\u540D\u5DE5\u4F5C\u4EBA\u54E1\uFF0C1956\u5E74\u5230\u7F8E\u570B\u9996\u6F14\u3002\u52A0\u4E0A1977\u5E74\u6210\u7ACB\u7684\u5927\u860B\u679C\u99AC\u6232\u5718\uFF08Big Apple Circus\uFF09\uFF0C\u865F\u7A31\u4E16\u754C\u4E09\u5927\u99AC\u6232\u5718\u3002\u4E2D\u570B\u59CB\u5EFA\u65BC1952\u5E74\uFF0C\u662F\u4E2D\u570B\u8457\u540D\u7684\u99AC\u6232\u8868\u6F14\u5718\u9AD4\u30021982\u5E74\u52A0\u62FF\u5927\u9B41\u5317\u514B\u4EBA\u5275\u5EFA\u592A\u967D\u99AC\u6232\u5718\uFF08Cirque Du Soleil\uFF09\uFF0C\u7D93\u904E\u4E8C\u5341\u9918\u5E74\u7684\u7D93\u71DF\uFF0C\u6210\u70BA\u4E16\u754C\u898F\u6A21\u6700\u5927\u7684\u99AC\u6232\u5718\u30022003\u5E74\u592A\u967D\u99AC\u6232\u5718\u5408\u4F5C\u5275\u59CB\u4EBA\u4E4B\u4E00\u8AFE\u66FC\u00B7\u62C9\u675C\u52D2(Normand Latourelle) \u63C9\u5408\u99AC\u8853\u8207\u8868\u6F14\u85DD\u8853\u3001\u591A\u5A92\u9AD4\u6295\u6620\u3001\u53CA\u5947\u5E7B\u7279\u6280\uFF0C\u5275\u4F5C\u4E86\u3002 \u7531\u65BC\u52D5\u7269\u4FDD\u8B77\u7684\u89C0\u5FF5\u62AC\u982D\uFF0C\u4E14\u66FE\u767C\u751F\u8868\u6F14\u7684\u52D5\u7269\u88AB\u8650\u5F85\u3001\u907A\u68C4\uFF0C\u4EE5\u53CA\u653B\u64CA\u4EBA\u7684\u4E8B\u4EF6\uFF0C\u6709\u4E9B\u570B\u5BB6\u5DF2\u7ACB\u6CD5\u7981\u6B62\u4F7F\u7528\u52D5\u7269\u4F5C\u70BA\u8868\u6F14\u5DE5\u5177\uFF0C\u56E0\u6B64\u90E8\u4EFD\u99AC\u6232\u5718\u4E0D\u518D\u6709\u52D5\u7269\u8868\u6F14\u4E86\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Een circus is een attractie waarbij het samenwerken tussen artiesten en met getemde dieren centraal staat. Bij een circus gaat het gewoonlijk om een reizend gezelschap, dat optreedt in een grote circustent en bestaat uit verschillende presentaties van acrobaten, jongleurs, clowns, dierentemmers (van leeuwen, tijgers, olifanten) en soms ook goochelaars."@nl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Un circo es un espect\u00E1culo art\u00EDstico, normalmente itinerante, que puede incluir a acr\u00F3batas, contorsionistas, equilibristas, escapistas, forzudos, hombres bala, magos, malabaristas, mimos, monociclistas, payasos, titiriteros, tragafuegos, tragasables, trapecistas, ventr\u00EDlocuos y zanqueros. Es presentado en el interior de una gran carpa que cuenta con pistas y galer\u00EDas de asientos para el p\u00FAblico. En la actualidad, los circos con animales est\u00E1n prohibidos en los siguientes pa\u00EDses y territorios: Austria, B\u00E9lgica, Bolivia, Bosnia y Herzegovina, Bulgaria, Chile, Chipre, Colombia, Costa Rica, Croacia, Dinamarca, Ecuador, El Salvador, Estonia, Eslovenia, Finlandia, Grecia, Guatemala, Honduras, Hungr\u00EDa, India, Ir\u00E1n, Irlanda, Israel, Italia, Letonia, L\u00EDbano, Macedonia del Norte, Malta, M\u00E9xico, Noruega, Pa\u00EDses Bajos, Panam\u00E1, Paraguay, Per\u00FA, Polonia, Portugal, Reino Unido (\u00FAnicamente Escocia e Inglaterra), Rep\u00FAblica Checa, Rep\u00FAblica de China (Taiw\u00E1n), Rumania, Serbia, Singapur y Suecia\u200B En Argentina se dio una variante de este g\u00E9nero art\u00EDstico, denominada \u00ABcirco criollo\u00BB, surgida entre 1840 y 1866 en los alrededores de la ciudad de Buenos Aires, y donde se difundi\u00F3 principalmente el g\u00E9nero gauchesco a trav\u00E9s de danzas y canciones."@es . . . . . . . . . . . . . . . . . . . . . . . . . . . "\uC11C\uCEE4\uC2A4"@ko . . . . . . . . . . "Cirkus"@cs . . . . . . . . . . . . . . . . "Cirkus \u00E4r ett programformat, best\u00E5ende av tre komponenter: Kavalleriets ryttarkonster, manege och gatuartisteri. Den klassiska cirkusen spelas idag fr\u00E4mst i t\u00E4lt och fasta cirkusbyggnader. Cirkus \u00E4r \u00E4ven namnet p\u00E5 de arrangerande f\u00F6retagen Akrobater, balansartister, trollkonstn\u00E4rer, clowner och s\u00E5 vidare \u00E4r \u00E4ven stommen i variet\u00E9 och nycirkus. I dessa sammanhang \u00E4r spelplatsen ofta en teaterscen eller utomhus. Oavsett vilket uttryck det handlar om, \u00E4r det samma artister med samma f\u00E4rdigheter som upptr\u00E4der."@sv . . "Um circo (do latim circus, \"circunfer\u00EAncia\") \u00E9 comumente uma companhia em coletivo que re\u00FAne artistas de diferentes especialidades, como malabarismo, palha\u00E7o, acrobacia, monociclo, contorcionismo, equilibrismo, ilusionismo, globo da morte, entre outros. A palavra tamb\u00E9m descreve o tipo de apresenta\u00E7\u00E3o feita por esses artistas, normalmente uma s\u00E9rie de atos coreografados \u00E0 m\u00FAsicas. Um circo \u00E9 organizado em uma arena - picadeiro circular, com assentos em seu entorno, enquanto circos itinerantes costumam se apresentar sob uma grande tenda ou lona."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Sebuah sirkus adalah sekelompok orang yang berkelana untuk menghibur penonton dengan atraksi akrobat, badut, , aksi , , juggling, sepeda roda satu, dan hiburan-hiburan lainnya. Kata ini juga mendeskripsikan kegiatan yang mereka lakukan, yang biasanya merupakan atraksi atau aksi-aksi yang dipadukan dengan musik atau efek suara lainnya. Sirkus tradisional biasanya beratraksi di dalam tenda besar dengan tempat duduk melingkar berbentuk oval di sekeliling ring utama. Namun atraksi sirkus modern biasanya diadakan di dalam gedung-gedung besar juga, supaya tidak tergantung cuaca. di Las Vegas adalah contohnya."@in . . . . . . . "Circo"@pt . . . . . . . . . . . . . . . . . . . . . . . . "Un cirque est une troupe d'artistes, traditionnellement itin\u00E9rante, qui comporte le plus souvent des acrobates, propose des num\u00E9ros de dressage et de domptage d\u2019animaux et donne des spectacles de clowns, de jonglerie et des tours de magie. Plus g\u00E9n\u00E9ralement au XXIe si\u00E8cle, le cirque est un spectacle vivant populaire organis\u00E9 autour d\u2019une sc\u00E8ne circulaire. Le terme cirque vient du latin circus, en r\u00E9f\u00E9rence \u00E0 une enceinte circulaire."@fr . . . "Circus (attractie)"@nl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u30B5\u30FC\u30AB\u30B9\uFF08\u82F1: circus\uFF09\u3068\u306F\u3001\u898B\u4E16\u7269\u3092\u5186\u5F62\u5E83\u5834\u30FB\u5287\u5834\u3067\u50AC\u3059\u5F62\u614B\u3092\u6307\u3059\u3002\u305D\u306E\u898B\u4E16\u7269\u306F\u3001\u52D5\u7269\u82B8\u3084\u4EBA\u9593\u306E\u66F2\u82B8\u304C\u591A\u3044\u3002 \u591A\u304F\u306E\u89B3\u5BA2\u304C\u305D\u306E\u821E\u53F0\u3092\u53D6\u308A\u5DFB\u304D\u898B\u4E0B\u308D\u305B\u308B\u8A2D\u5099\u3092\u5099\u3048\u308B\u3053\u3068\u304C\u591A\u304F\u3001\u307E\u305F\u5929\u5E55\u3092\u5E83\u5834\u306A\u3069\u306B\u8A2D\u55B6\u3059\u308B\u3053\u3068\u3082\u5C11\u306A\u304F\u306A\u3044\u3002 \u6B74\u53F2\u7684\u306B\u5186\u5F62\u5E83\u5834\u3067\u50AC\u3055\u308C\u308B\u898B\u4E16\u7269\u306F\u3001\u53E4\u4EE3\u30A8\u30B8\u30D7\u30C8\u6642\u4EE3\u3001\u30ED\u30FC\u30DE\u6642\u4EE3\u306B\u539F\u578B\u304C\u3042\u308B\u3002 \u8FD1\u4EE3\u30B5\u30FC\u30AB\u30B9\u306F\u30011770\u5E74\u306E\u30A4\u30AE\u30EA\u30B9\u300C\u30A2\u30B9\u30C8\u30EA\u30FC\u30FB\u30ED\u30FC\u30E4\u30EB\u6F14\u82B8\u5287\u5834\u300D\u3067\u958B\u50AC\u3055\u308C\u305F\u3053\u3068\u306B\u59CB\u307E\u308A\u3001\u305D\u306E\u5186\u5F62\u5287\u5834\u3067\u50AC\u3055\u308C\u305F\u65B0\u6A5F\u8EF8\u304C\u8A55\u5224\u3068\u306A\u3063\u305F\u3002\u305D\u306E\u5F8C\u3001\u3053\u308C\u3092\u300C\u30B5\u30FC\u30AB\u30B9\u300D\u3068\u547C\u3076\u3053\u3068\u304C\u5E83\u307E\u3063\u305F\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . "Artistika"@cs . . . . . . . . . . . . . . . . . . . "\u0426\u0438\u0440\u043A\u043E\u0432\u0430\u044F \u0442\u0440\u0443\u043F\u043F\u0430"@ru . . . "Sirkus"@in . . . . . . . . . . . "Ciz\u00EDm slovem artistika ozna\u010Dujeme cirkusov\u00E9 a varietn\u00ED um\u011Bn\u00ED, kter\u00E9 je prim\u00E1rn\u011B zalo\u017Eeno na mimo\u0159\u00E1dn\u00FDch lidsk\u00FDch schopnostech, nadpr\u016Fm\u011Brn\u00FDch fyzick\u00FDch dovednostech a neobvykl\u00FDch um\u011Bleck\u00FDch postupech. Podstatou artistick\u00E9ho um\u011Bn\u00ED je dokonal\u00E9 zvl\u00E1dnut\u00ED ur\u010Dit\u00FDch podskupin jednotliv\u00FDch \u00FAkon\u016F respektive r\u016Fzn\u00FDch d\u00EDl\u010D\u00EDch artistick\u00FDch disciplin, nap\u0159. : \n* akrobacie \n* \n* kouzelnictv\u00ED \n* \u017Eongl\u00E9rstv\u00ED \n* fireshow \n* na koni \u010Di jin\u00E9m zv\u00ED\u0159eti \n* dompt\u00E9rstv\u00ED (krocen\u00ED zv\u00ED\u0159at)"@cs . . . . . . . . . . . . . . . . . . . . "A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the performance which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Philip Astley is credited as the father of the modern circus. In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'Penny Hatch on the south side of the Thames River. In 1770, he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a \"circus\". Performances developed significantly over the next fifty years, with large-scale theatrical battle reenactments becoming a significant feature. The traditional format, in which a ringmaster introduces a variety of choreographed acts set to music, developed in the latter part of the 19th century and remained the dominant format until the 1970s. As styles of performance have developed since the time of Astley, so too have the types of venues where these circuses have performed. The earliest modern circuses were performed in open-air structures with limited covered seating. From the late 18th to late 19th century, custom-made circus buildings (often wooden) were built with various types of seating, a centre ring, and sometimes a stage. The traditional large tents commonly known as \"big tops\" were introduced in the mid-19th century as touring circuses superseded static venues. These tents eventually became the most common venue. Contemporary circuses perform in a variety of venues including tents, theatres and casinos. Many circus performances are still held in a ring, usually 13 m (42 ft) in diameter. This dimension was adopted by Astley in the late 18th century as the minimum diameter that enabled an acrobatic horse rider to stand upright on a cantering horse to perform their tricks. Contemporary circus has been credited with a revival of the circus tradition since the late 1970s, when a number of groups began to experiment with new circus formats and aesthetics, typically avoiding the use of animals to focus exclusively on human artistry. Circuses within the movement have tended to favour a theatrical approach, combining character-driven circus acts with original music in a broad variety of styles to convey complex themes or stories. Contemporary circus continues to develop new variations on the circus tradition while absorbing new skills, techniques, and stylistic influences from other performing arts."@en . . "68390"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u03A4\u03C3\u03AF\u03C1\u03BA\u03BF"@el . . . . . . . . . "Cyrk \u2013 budynek lub namiot z okr\u0105g\u0142\u0105 aren\u0105 wewn\u0105trz, na kt\u00F3rej odbywaj\u0105 si\u0119 wyst\u0119py ."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Se\u00F3 b\u00F3thair a mb\u00EDonn gleacaithe, fir ghrinn (\u00E1ilteoir\u00ED), ainmhithe agus siams\u00F3ir\u00ED eile, p\u00E1irteach ann Istigh i bpuball m\u00F3r cruinn agus feistithe a bh\u00EDonn s\u00E9 go minic, in \u00E1iteanna \u00E9ags\u00FAla ar thaobh an bh\u00F3thair B\u00EDonn carbh\u00E1in ildaite lucht an tsorcais bailithe ina thimpeall, b'fh\u00E9idir. B\u00EDonn s\u00FAil le himeachta\u00ED gan choinne taobh istigh; b\u00EDonn s\u00FAil leis an mist\u00E9ir, an dra\u00EDocht is an spraoi. De r\u00E9ir an traidisi\u00FAin, is \u00E1ilteoir a chuireann t\u00FAs le himeachta\u00ED an tsorcais"@ga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0633\u064A\u0631\u0643"@ar . . . . . . . . . . . . "Un cirque est une troupe d'artistes, traditionnellement itin\u00E9rante, qui comporte le plus souvent des acrobates, propose des num\u00E9ros de dressage et de domptage d\u2019animaux et donne des spectacles de clowns, de jonglerie et des tours de magie. Plus g\u00E9n\u00E9ralement au XXIe si\u00E8cle, le cirque est un spectacle vivant populaire organis\u00E9 autour d\u2019une sc\u00E8ne circulaire. Le terme cirque vient du latin circus, en r\u00E9f\u00E9rence \u00E0 une enceinte circulaire. Ses caract\u00E9ristiques ont eu beaucoup d\u2019\u00E9volutions dans le temps. Aujourd'hui, le cirque existe sans sa sc\u00E8ne circulaire, en salle ou dans des lieux particuliers, aux c\u00F4t\u00E9s de pi\u00E8ces de th\u00E9\u00E2tre, de danse, etc. La d\u00E9nomination cirque s'est \u00AB r\u00E9duite \u00BB \u00E0 la seule pratique d'une discipline de cirque (acrobatique, a\u00E9rienne, \u00E9quilibres, manipulation/jonglage, etc.). Avec l'apparition des \u00E9coles de cirque en France et \u00E0 l'\u00E9tranger \u00E0 la fin du XXe si\u00E8cle, les artistes de cirque se sont \u00E9mancip\u00E9s de la famille traditionnelle et tr\u00E8s peu d'entre eux sont des enfants de la balle. La d\u00E9nomination est d'ailleurs un sujet de discorde depuis les ann\u00E9es 1970 entre les puristes du cirque traditionnel et les ceux qui utilisent le m\u00EAme mot pour exercer un art, finalement, tr\u00E8s diff\u00E9rent."@fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Un circo es un espect\u00E1culo art\u00EDstico, normalmente itinerante, que puede incluir a acr\u00F3batas, contorsionistas, equilibristas, escapistas, forzudos, hombres bala, magos, malabaristas, mimos, monociclistas, payasos, titiriteros, tragafuegos, tragasables, trapecistas, ventr\u00EDlocuos y zanqueros. Es presentado en el interior de una gran carpa que cuenta con pistas y galer\u00EDas de asientos para el p\u00FAblico."@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Cirkus ozna\u010Duje v\u011Bt\u0161inou ko\u010Dovn\u00E9 spole\u010Denstv\u00ED \u00FA\u010Dinkuj\u00EDc\u00EDch um\u011Blc\u016F, kte\u0159\u00ED b\u00FDvaj\u00ED ozna\u010Dov\u00E1n\u00ED jako artist\u00E9 (akrobat\u00E9, krotitel\u00E9 zv\u00ED\u0159at, krasojezdci, klauni apod.). Toto um\u011Bleck\u00E9 spole\u010Denstv\u00ED pak vystupuje p\u0159ed obecenstvem, obvykle za \u00FAhradu stanoven\u00E9ho . N\u00E1zev poch\u00E1z\u00ED od staro\u0159\u00EDmsk\u00E9ho cirku, kruhov\u00E9 nebo ov\u00E1ln\u00E9 stavby ur\u010Den\u00E9 pro z\u00E1vody kon\u00ED a voz\u016F. Takzvan\u00FD nov\u00FD cirkus je opro\u0161t\u011Bn od zv\u00ED\u0159at a m\u00E1 bl\u00ED\u017Ee ke sc\u00E9nick\u00FDm um\u011Bn\u00EDm jako je divadlo a balet."@cs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Advertisement for the Barnum & Bailey Circus, 1900"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0426\u0438\u0440\u043A (\u043E\u0442 \u043B\u0430\u0442. circus \u2014 \u043A\u0440\u0443\u0433) \u2014 \u0432\u0438\u0434 \u0437\u0440\u0435\u043B\u0438\u0449\u043D\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430, \u043F\u043E \u0437\u0430\u043A\u043E\u043D\u0430\u043C \u043A\u043E\u0442\u043E\u0440\u043E\u0433\u043E \u0441\u0442\u0440\u043E\u0438\u0442\u0441\u044F \u0440\u0430\u0437\u0432\u043B\u0435\u043A\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0435 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0438\u0435. \u0422\u0430\u043A\u0436\u0435 \u0446\u0438\u0440\u043A\u043E\u043C \u043D\u0430\u0437\u044B\u0432\u0430\u0435\u0442\u0441\u044F \u0441\u043F\u0435\u0446\u0438\u0430\u043B\u044C\u043D\u043E\u0435 \u0437\u0434\u0430\u043D\u0438\u0435 \u0434\u043B\u044F \u043F\u0440\u043E\u0432\u0435\u0434\u0435\u043D\u0438\u044F \u044D\u0442\u0438\u0445 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0438\u0439. \u041E\u0441\u043D\u043E\u0432\u043E\u0439 \u0446\u0438\u0440\u043A\u043E\u0432\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430 \u0441\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u0434\u0435\u043C\u043E\u043D\u0441\u0442\u0440\u0430\u0446\u0438\u044F \u043D\u0435\u043E\u0431\u044B\u0447\u043D\u043E\u0433\u043E (\u044D\u043A\u0441\u0446\u0435\u043D\u0442\u0440\u0438\u043A\u0430) \u0438 \u0441\u043C\u0435\u0448\u043D\u043E\u0433\u043E; \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043D\u043E\u0439 \u043F\u0440\u0438\u043D\u0430\u0434\u043B\u0435\u0436\u043D\u043E\u0441\u0442\u044C\u044E \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u043E\u0433\u043E \u0446\u0438\u0440\u043A\u0430 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0434\u0435\u043C\u043E\u043D\u0441\u0442\u0440\u0430\u0446\u0438\u044F \u0444\u043E\u043A\u0443\u0441\u043E\u0432, \u043F\u0430\u043D\u0442\u043E\u043C\u0438\u043C\u044B, \u043A\u043B\u043E\u0443\u043D\u0430\u0434\u044B, \u0440\u0435\u043F\u0440\u0438\u0437\u0430, \u0438\u0441\u043A\u043B\u044E\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u0445 \u0441\u043F\u043E\u0441\u043E\u0431\u043D\u043E\u0441\u0442\u0435\u0439, \u0447\u0430\u0441\u0442\u043E \u0441\u0432\u044F\u0437\u0430\u043D\u043D\u044B\u0445 \u0441 \u0440\u0438\u0441\u043A\u043E\u043C (\u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0441\u0438\u043B\u0430, \u0430\u043A\u0440\u043E\u0431\u0430\u0442\u0438\u043A\u0430, \u044D\u043A\u0432\u0438\u043B\u0438\u0431\u0440\u0438\u0441\u0442\u0438\u043A\u0430), \u0434\u0440\u0435\u0441\u0441\u0438\u0440\u043E\u0432\u0430\u043D\u043D\u044B\u0445 \u0436\u0438\u0432\u043E\u0442\u043D\u044B\u0445. \u0426\u0438\u0440\u043A\u043E\u0432\u0430\u044F \u0442\u0440\u0443\u043F\u043F\u0430 \u043C\u043E\u0436\u0435\u0442 \u043F\u043E\u0441\u0442\u043E\u044F\u043D\u043D\u043E \u0431\u0430\u0437\u0438\u0440\u043E\u0432\u0430\u0442\u044C\u0441\u044F \u0432 \u0433\u043E\u0440\u043E\u0434\u0435 \u0438 \u0438\u043C\u0435\u0442\u044C \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u043E\u0435 \u0437\u0434\u0430\u043D\u0438\u0435, \u043D\u043E \u043A\u0430\u043A \u0438 \u0440\u0430\u043D\u0435\u0435 \u0431\u043E\u043B\u044C\u0448\u0443\u044E \u0440\u043E\u043B\u044C \u0438\u0433\u0440\u0430\u0435\u0442 \u0431\u0440\u043E\u0434\u044F\u0447\u0438\u0439 \u0446\u0438\u0440\u043A."@ru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Cirkon kreas vagemaj komunumoj de artistoj (akrobatoj, kla\u016Dno...). La komunumo prezenti\u011Das anta\u016D publiko, kiu kutime pagas destinitan enirpagon. En kelkaj prezenti\u011Doj abunde partoprenas anka\u016D ekzercitaj bestoj (ursoj, simioj, tigroj, leonoj, elefantoj, kameloj...) La prezenti\u011Doj okazas sub cirka tendego. La areno estas \u0109irka\u016Dita per sidlokoj."@eo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Se\u00F3 b\u00F3thair a mb\u00EDonn gleacaithe, fir ghrinn (\u00E1ilteoir\u00ED), ainmhithe agus siams\u00F3ir\u00ED eile, p\u00E1irteach ann Istigh i bpuball m\u00F3r cruinn agus feistithe a bh\u00EDonn s\u00E9 go minic, in \u00E1iteanna \u00E9ags\u00FAla ar thaobh an bh\u00F3thair B\u00EDonn carbh\u00E1in ildaite lucht an tsorcais bailithe ina thimpeall, b'fh\u00E9idir. B\u00EDonn s\u00FAil le himeachta\u00ED gan choinne taobh istigh; b\u00EDonn s\u00FAil leis an mist\u00E9ir, an dra\u00EDocht is an spraoi. De r\u00E9ir an traidisi\u00FAin, is \u00E1ilteoir a chuireann t\u00FAs le himeachta\u00ED an tsorcais"@ga . . . . . . . . . . . . . "\u9A6C\u620F"@zh . . . . . . . . . . "Cirkus"@sv . . . . . . . . . . . . . . . . . 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"Sebuah sirkus adalah sekelompok orang yang berkelana untuk menghibur penonton dengan atraksi akrobat, badut, , aksi , , juggling, sepeda roda satu, dan hiburan-hiburan lainnya. Kata ini juga mendeskripsikan kegiatan yang mereka lakukan, yang biasanya merupakan atraksi atau aksi-aksi yang dipadukan dengan musik atau efek suara lainnya."@in . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Circo"@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the performance which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Philip Astley is credited as the father of the modern circus. In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'Penny Hatch on the south side of the Thames River. In 1770, he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between the e"@en . . . . . . . . . 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"Circus"@en . . . . . . . . . . . . . . "\u0426\u0438\u0440\u043A"@uk . . "Zirkus"@de . "Cyrk (rozrywka)"@pl . . . . . . . . . . . . . . . . . . . . "Contemporary circus"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u30B5\u30FC\u30AB\u30B9"@ja . "Il circo \u00E8 una costruzione mobile itinerante formata da un tendone e da un'arena smontabile, viaggiante, in cui si svolgono spettacoli di acrobati, equilibristi, pagliacci ed animali ammaestrati. Il circo in un dipinto di Georges Seurat.Scene circo intorno a 1891. Opera del pittore Arturo Michelena. Gli spettacoli del circo hanno luogo sotto tendoni, in appositi edifici (circhi stabili), cos\u00EC come all'aperto o in sale teatrali regolari."@it . . . . . . . . . . . . . . . "Cirkus ozna\u010Duje v\u011Bt\u0161inou ko\u010Dovn\u00E9 spole\u010Denstv\u00ED \u00FA\u010Dinkuj\u00EDc\u00EDch um\u011Blc\u016F, kte\u0159\u00ED b\u00FDvaj\u00ED ozna\u010Dov\u00E1n\u00ED jako artist\u00E9 (akrobat\u00E9, krotitel\u00E9 zv\u00ED\u0159at, krasojezdci, klauni apod.). Toto um\u011Bleck\u00E9 spole\u010Denstv\u00ED pak vystupuje p\u0159ed obecenstvem, obvykle za \u00FAhradu stanoven\u00E9ho . N\u00E1zev poch\u00E1z\u00ED od staro\u0159\u00EDmsk\u00E9ho cirku, kruhov\u00E9 nebo ov\u00E1ln\u00E9 stavby ur\u010Den\u00E9 pro z\u00E1vody kon\u00ED a voz\u016F. Putovn\u00ED p\u0159edstaven\u00ED se obvykle konaj\u00ED v man\u00E9\u017Ei, kruhov\u00E9 ar\u00E9n\u011B pod velik\u00FDm cirkusov\u00FDm stanem \u2013 . Man\u00E9\u017E je obklopena l\u00F3\u017Eemi a lavi\u010Dkami pro div\u00E1ky. Ve vystoupen\u00EDch tradi\u010Dn\u00EDho cirkusu obvykle \u00FA\u010Dinkuj\u00ED tak\u00E9 cvi\u010Den\u00E1 exotick\u00E1 zv\u00ED\u0159ata (medv\u011Bdi, opice, tyg\u0159i, lvi, sloni, velbloudi apod.). Obl\u00EDben\u00FDm cirkusov\u00FDm zv\u00ED\u0159etem je k\u016F\u0148, pop\u0159\u00EDpad\u011B jin\u00E1 dom\u00E1c\u00ED zv\u00ED\u0159ata (nap\u0159. psi). Takzvan\u00FD nov\u00FD cirkus je opro\u0161t\u011Bn od zv\u00ED\u0159at a m\u00E1 bl\u00ED\u017Ee ke sc\u00E9nick\u00FDm um\u011Bn\u00EDm jako je divadlo a balet."@cs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "El circ \u00E9s una art esc\u00E8nica que produeix espectacles incloent acr\u00F2bates, malabaristes, pallassos, mags i altres int\u00E8rprets d'alguna de les seves disciplines, que de vegades es barregen entre elles o amb altres arts esc\u00E8niques, com la dansa contempor\u00E0nia, el teatre f\u00EDsic, l'\u00F2pera, etc. Com tots els espectacles, es desenvolupa de forma diferent depenent de a qui vagi dirigit. Pot anar dirigit a un p\u00FAblic infantil, adult o tamb\u00E9 pot usar-se de manera social, per exemple ajudant a pobles que s'estiguin recuperant de la tristesa i el xoc que els ha provocat una guerra recent. A Argentina es va donar una variant d'aquest g\u00E8nere art\u00EDstic, denominada \"circ crioll\" que va sorgir entre el 1840 i el 1866 als voltants de la ciutat de Buenos Aires, va difondre principalment el g\u00E8nere \"gauchesco\"\" a trav\u00E9s de la dansa i de can\u00E7ons."@ca . "Cyrk \u2013 budynek lub namiot z okr\u0105g\u0142\u0105 aren\u0105 wewn\u0105trz, na kt\u00F3rej odbywaj\u0105 si\u0119 wyst\u0119py ."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Il circo \u00E8 una costruzione mobile itinerante formata da un tendone e da un'arena smontabile, viaggiante, in cui si svolgono spettacoli di acrobati, equilibristi, pagliacci ed animali ammaestrati. Il circo in un dipinto di Georges Seurat.Scene circo intorno a 1891. Opera del pittore Arturo Michelena. Gli spettacoli del circo hanno luogo sotto tendoni, in appositi edifici (circhi stabili), cos\u00EC come all'aperto o in sale teatrali regolari. Le esibizioni rispondono a categorie di base (peraltro flessibili e combinabili) quali numeri aerei, acrobazia ed equilibrismo al suolo, giocoleria, comicit\u00E0 eccentrica e arte del clown, addestramento di animali e arte equestre, esibizioni di rischio. Nella sua forma tradizionale novecentesca, il circo, definito nella lingua italiana anche circo equestre, si distingue per la caratteristica di comunit\u00E0 itinerante e per l'appartenenza dinastica dei propri componenti. Alla fine del Novecento, con la definizione di nuovo circo si \u00E8 legittimato il proliferare di numerose compagnie e spettacoli di provenienza e stile estranei a tali tradizioni, di cui la pi\u00F9 celebre mondialmente \u00E8 il canadese Cirque du Soleil."@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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"Circo"@es . . . . . . . . . . . . . . . . . "Drama"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uC11C\uCEE4\uC2A4 (\uB3D9\uC74C\uC774\uC758) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uC11C\uCEE4\uC2A4(circus)\uC740 \uACE1\uC608\uC0AC, \uC5B4\uB9BF\uAD11\uB300, \uC798 \uD6C8\uB828\uBC1B\uC740 \uC9D0\uC2B9, \uC74C\uC545\uAC00, \uC904\uD0C0\uB294 \uC0AC\uB78C, \uC7A1\uAE30\uC0AC, \uC678\uBC1C\uC790\uC804\uAC70 \uD0C0\uB294 \uC0AC\uB78C \uB4F1\uC758 \uBCFC\uAC70\uB9AC\uB97C \uC804\uC2DC\uD558\uB294 \uC21C\uD68C\uACF5\uC5F0\uB2E8\uC774\uB2E4. \uACE1\uB9C8\uB2E8(\u66F2\u99AC\u5718) \uB610\uB294 \uACE1\uC608\uB2E8(\u66F2\u85DD\u5718, \uBB38\uD654\uC5B4: \uAD50\uC608\uB2E8)\uC774\uB77C\uACE0\uB3C4 \uD55C\uB2E4. 14\uC138\uAE30 \uC601\uC5B4\uC5D0\uC11C \uCC98\uC74C \uB4F1\uC7A5\uD55C \uC11C\uCEE4\uC2A4(circus)\uB77C\uB294 \uC6A9\uC5B4\uB294 \uB77C\uD2F4\uC5B4 \uB0B1\uB9D0 \"circus\"\uC5D0\uC11C \uB098\uC628 \uAC83\uC774\uB2E4."@ko . . "Ein Zirkus (lateinisch circus \u201AKreis\u2018, \u201ARing\u2018, \u201Arunde Arena\u201A; Plural: Zirkusse) \u2013 oder auch Circus \u2013 ist meist eine Gruppe von Artisten, die eine Vorstellung mit verschiedenen artistischen (zirzensischen) Darbietungen (Akrobatik, Clownerie, Zauberei, Tierdressuren) zeigt. Wirtschaftlich gesehen ist ein Zirkus ein Unterhaltungsunternehmen."@de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Um circo (do latim circus, \"circunfer\u00EAncia\") \u00E9 comumente uma companhia em coletivo que re\u00FAne artistas de diferentes especialidades, como malabarismo, palha\u00E7o, acrobacia, monociclo, contorcionismo, equilibrismo, ilusionismo, globo da morte, entre outros. A palavra tamb\u00E9m descreve o tipo de apresenta\u00E7\u00E3o feita por esses artistas, normalmente uma s\u00E9rie de atos coreografados \u00E0 m\u00FAsicas. Um circo \u00E9 organizado em uma arena - picadeiro circular, com assentos em seu entorno, enquanto circos itinerantes costumam se apresentar sob uma grande tenda ou lona."@pt . . . . . . . . "156999"^^ . "Zirkua ikuskizun artistikoa da, pailazo, malabarista, akrobata, mago eta ilusionisten emanaldiak eta animaliekiko erakustaldiak dituena, gehienetan talde ibiltari baten eskutik herriz herri eskaintzen dena. Antzinako Erromako zirkuetan egiten ziren ikuskizunetan du jatorria."@eu . . . . . . . . . . "Cirque"@fr . "Een circus is een attractie waarbij het samenwerken tussen artiesten en met getemde dieren centraal staat. Bij een circus gaat het gewoonlijk om een reizend gezelschap, dat optreedt in een grote circustent en bestaat uit verschillende presentaties van acrobaten, jongleurs, clowns, dierentemmers (van leeuwen, tijgers, olifanten) en soms ook goochelaars."@nl . . . . . . . . . . "\u0426\u0438\u0440\u043A (\u043B\u0430\u0442. circus) \u2014 \u043F\u0435\u0440\u0435\u0432\u0430\u0436\u043D\u043E \u043A\u0440\u0443\u0433\u043B\u0430 \u0431\u0443\u0434\u0456\u0432\u043B\u044F \u0437 \u0430\u0440\u0435\u043D\u043E\u044E (\u043C\u0430\u043D\u0435\u0436) \u0456 \u0442\u0440\u0438\u0431\u0443\u043D\u0430\u043C\u0438 \u0434\u043B\u044F \u0433\u043B\u044F\u0434\u0430\u0447\u0456\u0432. \u0423 \u0446\u0438\u0440\u043A\u0443 \u0432\u0456\u0434\u0431\u0443\u0432\u0430\u044E\u0442\u044C\u0441\u044F \u0432\u0438\u0434\u043E\u0432\u0438\u0449\u0430 (\u043D\u0430\u0437\u0438\u0432\u0430\u043D\u0456 \u0442\u0430\u043A\u043E\u0436 \u0446\u0438\u0440\u043A\u043E\u043C), \u0441\u0443\u043F\u0440\u043E\u0432\u043E\u0434\u0436\u0443\u0432\u0430\u043D\u0456 \u043C\u0443\u0437\u0438\u0447\u043D\u043E\u044E \u0435\u043A\u0441\u0446\u0435\u043D\u0442\u0440\u0438\u043A\u043E\u044E, \u044F\u043A\u0456 \u0434\u0435\u043C\u043E\u043D\u0441\u0442\u0440\u0443\u044E\u0442\u044C \u0441\u0438\u043B\u0443 \u0456 \u0432\u0456\u0434\u0432\u0430\u0433\u0443 \u0446\u0438\u0440\u043A\u043E\u0432\u0438\u0445 \u0430\u0440\u0442\u0438\u0441\u0442\u0456\u0432 \u0437 \u0456\u043D\u0442\u0435\u0440\u043C\u0435\u0434\u0456\u044F\u043C\u0438-\u0431\u0443\u0444\u043E\u043D\u0430\u0434\u0430\u043C\u0438 \u043A\u043B\u043E\u0443\u043D\u0456\u0432, \u043F\u0430\u043D\u0442\u043E\u043C\u0456\u043C\u043E\u044E \u0456 \u043C\u0435\u043B\u043E\u043C\u0456\u043C\u043E\u044E."@uk . . . . "Cirko"@eo . . . . . . . "Cirkon kreas vagemaj komunumoj de artistoj (akrobatoj, kla\u016Dno...). La komunumo prezenti\u011Das anta\u016D publiko, kiu kutime pagas destinitan enirpagon. En kelkaj prezenti\u011Doj abunde partoprenas anka\u016D ekzercitaj bestoj (ursoj, simioj, tigroj, leonoj, elefantoj, kameloj...) La prezenti\u011Doj okazas sub cirka tendego. La areno estas \u0109irka\u016Dita per sidlokoj."@eo . . . . . . . . "\u9A6C\u620F\u5718\uFF08\u82F1\u8A9E\uFF1ACircus\uFF09\uFF0C\u4E00\u822C\u6307\u5305\u62EC\u6709\u96DC\u6280\u3001\u53D7\u8BAD\u8FC7\u7684\u52A8\u7269\u3001\u5C0F\u4E11\u3001\u9B54\u672F\u53CA\u5176\u4ED6\u7279\u6280\u7684\u8868\u6F14\uFF0C\u4EE5\u5A31\u4E50\u89C2\u4F17\u4E3A\u76EE\u7684\u3002 \u6853\u5BBD\u300A\u76D0\u94C1\u8BBA\u300B\u6709\u300C\u9A6C\u620F\u9B25\u864E\u300D\u7684\u8BB0\u8F7D\u3002\u5510\u4EE3\u9A6C\u620F\u8868\u6F14\u300C\u900F\u5251\u95E8\u4F0E\u300D\uFF0C\u8868\u6F14\u8005\u4E58\u5C0F\u9A6C\uFF0C\u5954\u817E\u8DF3\u8DC3\uFF0C\u98D8\u5FFD\u800C\u8FC7\u30021871\u5E74\u73B2\u73B2\u99AC\u6232\u5718\uFF08Ringling Bros.and Barnum & Bailey\uFF09\u6210\u7ACB\uFF0C1919\u5E74\u6210\u7ACB\uFF0C\u64C1\u6709\u8D85\u904E4,000\u540D\u8868\u6F14\u8005\u53CA1,000\u540D\u5DE5\u4F5C\u4EBA\u54E1\uFF0C1956\u5E74\u5230\u7F8E\u570B\u9996\u6F14\u3002\u52A0\u4E0A1977\u5E74\u6210\u7ACB\u7684\u5927\u860B\u679C\u99AC\u6232\u5718\uFF08Big Apple Circus\uFF09\uFF0C\u865F\u7A31\u4E16\u754C\u4E09\u5927\u99AC\u6232\u5718\u3002\u4E2D\u570B\u59CB\u5EFA\u65BC1952\u5E74\uFF0C\u662F\u4E2D\u570B\u8457\u540D\u7684\u99AC\u6232\u8868\u6F14\u5718\u9AD4\u30021982\u5E74\u52A0\u62FF\u5927\u9B41\u5317\u514B\u4EBA\u5275\u5EFA\u592A\u967D\u99AC\u6232\u5718\uFF08Cirque Du Soleil\uFF09\uFF0C\u7D93\u904E\u4E8C\u5341\u9918\u5E74\u7684\u7D93\u71DF\uFF0C\u6210\u70BA\u4E16\u754C\u898F\u6A21\u6700\u5927\u7684\u99AC\u6232\u5718\u30022003\u5E74\u592A\u967D\u99AC\u6232\u5718\u5408\u4F5C\u5275\u59CB\u4EBA\u4E4B\u4E00\u8AFE\u66FC\u00B7\u62C9\u675C\u52D2(Normand Latourelle) \u63C9\u5408\u99AC\u8853\u8207\u8868\u6F14\u85DD\u8853\u3001\u591A\u5A92\u9AD4\u6295\u6620\u3001\u53CA\u5947\u5E7B\u7279\u6280\uFF0C\u5275\u4F5C\u4E86\u3002 \u7531\u65BC\u52D5\u7269\u4FDD\u8B77\u7684\u89C0\u5FF5\u62AC\u982D\uFF0C\u4E14\u66FE\u767C\u751F\u8868\u6F14\u7684\u52D5\u7269\u88AB\u8650\u5F85\u3001\u907A\u68C4\uFF0C\u4EE5\u53CA\u653B\u64CA\u4EBA\u7684\u4E8B\u4EF6\uFF0C\u6709\u4E9B\u570B\u5BB6\u5DF2\u7ACB\u6CD5\u7981\u6B62\u4F7F\u7528\u52D5\u7269\u4F5C\u70BA\u8868\u6F14\u5DE5\u5177\uFF0C\u56E0\u6B64\u90E8\u4EFD\u99AC\u6232\u5718\u4E0D\u518D\u6709\u52D5\u7269\u8868\u6F14\u4E86\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Circ"@ca . . . . . . . . . . . . . . . . . . "Ciz\u00EDm slovem artistika ozna\u010Dujeme cirkusov\u00E9 a varietn\u00ED um\u011Bn\u00ED, kter\u00E9 je prim\u00E1rn\u011B zalo\u017Eeno na mimo\u0159\u00E1dn\u00FDch lidsk\u00FDch schopnostech, nadpr\u016Fm\u011Brn\u00FDch fyzick\u00FDch dovednostech a neobvykl\u00FDch um\u011Bleck\u00FDch postupech. Podstatou artistick\u00E9ho um\u011Bn\u00ED je dokonal\u00E9 zvl\u00E1dnut\u00ED ur\u010Dit\u00FDch podskupin jednotliv\u00FDch \u00FAkon\u016F respektive r\u016Fzn\u00FDch d\u00EDl\u010D\u00EDch artistick\u00FDch disciplin, nap\u0159. : \n* akrobacie \n* \n* kouzelnictv\u00ED \n* \u017Eongl\u00E9rstv\u00ED \n* fireshow \n* na koni \u010Di jin\u00E9m zv\u00ED\u0159eti \n* dompt\u00E9rstv\u00ED (krocen\u00ED zv\u00ED\u0159at)"@cs . . . . . "Sorcas"@ga . . . . . . . . . . . . . . . . . . . . "\u0426\u0438\u0440\u043A (\u043B\u0430\u0442. circus) \u2014 \u043F\u0435\u0440\u0435\u0432\u0430\u0436\u043D\u043E \u043A\u0440\u0443\u0433\u043B\u0430 \u0431\u0443\u0434\u0456\u0432\u043B\u044F \u0437 \u0430\u0440\u0435\u043D\u043E\u044E (\u043C\u0430\u043D\u0435\u0436) \u0456 \u0442\u0440\u0438\u0431\u0443\u043D\u0430\u043C\u0438 \u0434\u043B\u044F \u0433\u043B\u044F\u0434\u0430\u0447\u0456\u0432. \u0423 \u0446\u0438\u0440\u043A\u0443 \u0432\u0456\u0434\u0431\u0443\u0432\u0430\u044E\u0442\u044C\u0441\u044F \u0432\u0438\u0434\u043E\u0432\u0438\u0449\u0430 (\u043D\u0430\u0437\u0438\u0432\u0430\u043D\u0456 \u0442\u0430\u043A\u043E\u0436 \u0446\u0438\u0440\u043A\u043E\u043C), \u0441\u0443\u043F\u0440\u043E\u0432\u043E\u0434\u0436\u0443\u0432\u0430\u043D\u0456 \u043C\u0443\u0437\u0438\u0447\u043D\u043E\u044E \u0435\u043A\u0441\u0446\u0435\u043D\u0442\u0440\u0438\u043A\u043E\u044E, \u044F\u043A\u0456 \u0434\u0435\u043C\u043E\u043D\u0441\u0442\u0440\u0443\u044E\u0442\u044C \u0441\u0438\u043B\u0443 \u0456 \u0432\u0456\u0434\u0432\u0430\u0433\u0443 \u0446\u0438\u0440\u043A\u043E\u0432\u0438\u0445 \u0430\u0440\u0442\u0438\u0441\u0442\u0456\u0432 \u0437 \u0456\u043D\u0442\u0435\u0440\u043C\u0435\u0434\u0456\u044F\u043C\u0438-\u0431\u0443\u0444\u043E\u043D\u0430\u0434\u0430\u043C\u0438 \u043A\u043B\u043E\u0443\u043D\u0456\u0432, \u043F\u0430\u043D\u0442\u043E\u043C\u0456\u043C\u043E\u044E \u0456 \u043C\u0435\u043B\u043E\u043C\u0456\u043C\u043E\u044E. \u0423 \u0434\u0440\u0435\u0432\u043D\u0456\u0445 \u0440\u0438\u043C\u043B\u044F\u043D \u0446\u0438\u0440\u043A \u0431\u0443\u0432 \u043C\u0456\u0441\u0446\u0435\u043C \u043A\u0456\u043D\u0441\u044C\u043A\u0438\u0445 \u043F\u0435\u0440\u0435\u0433\u043E\u043D\u0456\u0432 \u0456 \u0437\u043C\u0430\u0433\u0430\u043D\u044C \u0432 \u0448\u0432\u0438\u0434\u043A\u043E\u0441\u0442\u0456 \u043D\u0430 \u043A\u043E\u043B\u0456\u0441\u043D\u0438\u0446\u044F\u0445, \u0430 \u0437\u0433\u043E\u0434\u043E\u043C \u0456 \u0434\u0435\u044F\u043A\u0438\u0445 \u0456\u043D\u0448\u0438\u0445 \u0432\u0438\u0434\u043E\u0432\u0438\u0449, \u044F\u043A\u0456 \u043F\u0440\u043E\u0445\u043E\u0434\u0438\u043B\u0438 \u0443 \u0441\u0432\u044F\u0442\u043A\u043E\u0432\u0456 \u0434\u043D\u0456 \u0456 \u043D\u0430\u0437\u0438\u0432\u0430\u043B\u0438\u0441\u044F ludi circenses. Cirque du Soleil (\u0432 \u043F\u0435\u0440\u0435\u043A\u043B\u0430\u0434\u0456 \u00AB\u0426\u0438\u0440\u043A \u0421\u043E\u043D\u0446\u044F\u00BB) \u2014 \u044F\u0441\u043A\u0440\u0430\u0432\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A \u0441\u0443\u0447\u0430\u0441\u043D\u043E\u0433\u043E \u0436\u0430\u043D\u0440\u0443 \u0446\u0438\u0440\u043A\u043E\u0432\u043E\u0433\u043E \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430. \u041F\u0440\u043E \u0446\u0438\u0440\u043A \u0421\u043E\u043D\u0446\u044F \u043A\u0430\u0436\u0443\u0442\u044C, \u0449\u043E \u0432\u0456\u043D \u0432\u0434\u0438\u0445\u043D\u0443\u0432 \u043D\u043E\u0432\u0435 \u0436\u0438\u0442\u0442\u044F \u0432 \u0446\u0438\u0440\u043A\u043E\u0432\u0435 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E. \u041D\u0430\u043B\u0456\u0447\u0443\u0454 \u043F\u043E\u043D\u0430\u0434 4000 \u043E\u0441\u0456\u0431, \u0440\u0456\u0447\u043D\u0430 \u0432\u0438\u0440\u0443\u0447\u043A\u0430 \u0446\u0438\u0440\u043A\u0443 \u043F\u0435\u0440\u0435\u0432\u0438\u0449\u0443\u0454 600 \u043C\u043B\u043D \u0434\u043E\u043B\u0430\u0440\u0456\u0432."@uk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0426\u0438\u0440\u043A"@ru . . . . . "El circ \u00E9s una art esc\u00E8nica que produeix espectacles incloent acr\u00F2bates, malabaristes, pallassos, mags i altres int\u00E8rprets d'alguna de les seves disciplines, que de vegades es barregen entre elles o amb altres arts esc\u00E8niques, com la dansa contempor\u00E0nia, el teatre f\u00EDsic, l'\u00F2pera, etc. Com tots els espectacles, es desenvolupa de forma diferent depenent de a qui vagi dirigit. Pot anar dirigit a un p\u00FAblic infantil, adult o tamb\u00E9 pot usar-se de manera social, per exemple ajudant a pobles que s'estiguin recuperant de la tristesa i el xoc que els ha provocat una guerra recent."@ca . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Zirkua ikuskizun artistikoa da, pailazo, malabarista, akrobata, mago eta ilusionisten emanaldiak eta animaliekiko erakustaldiak dituena, gehienetan talde ibiltari baten eskutik herriz herri eskaintzen dena. Antzinako Erromako zirkuetan egiten ziren ikuskizunetan du jatorria."@eu . . . . . . . . . . . . . . "\u0627\u0644\u0633\u064A\u0631\u0643 \u0645\u062C\u0645\u0648\u0639\u0629 \u0645\u0646 \u0627\u0644\u0641\u0646\u0627\u0646\u064A\u0646 \u0627\u0644\u0631\u062D\u0627\u0644\u0629\u060C \u0628\u0645\u0627 \u0641\u064A\u0647\u0645 \u0627\u0644\u0628\u0647\u0644\u0648\u0627\u0646\u064A\u0646\u060C \u0648\u0627\u0644\u0645\u0647\u0631\u062C\u064A\u0646\u060C \u0648\u0627\u0644\u062D\u064A\u0648\u0627\u0646\u0627\u062A \u0627\u0644\u0645\u062F\u0631\u0628\u0629\u060C \u0648\u0644\u0627\u0639\u0628\u064A \u0627\u0644\u0623\u0631\u0627\u062C\u064A\u062D \u0648\u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0646\u060C \u0644\u0627\u0639\u0628\u064A \u0627\u0644\u062E\u0641\u0629\u060C \u0648\u0627\u0644\u0630\u064A\u0646 \u064A\u0645\u0634\u0648\u0646 \u0639\u0644\u0649 \u0627\u0644\u062D\u0628\u0627\u0644 \u0627\u0644\u0645\u0634\u062F\u0648\u062F\u0629\u060C \u0648\u0627\u0644\u0645\u0634\u0639\u0648\u0630\u064A\u0646\u060C \u0648\u063A\u064A\u0631\u0647\u0645 \u0645\u0646 \u0630\u0648\u064A \u0627\u0644\u0645\u0647\u0627\u0631\u0627\u062A \u0627\u0644\u0623\u062F\u0627\u0626\u064A\u0629. \u063A\u0627\u0644\u0628\u0627\u064B \u0645\u0627 \u062A\u0642\u0627\u0645 \u0639\u0631\u0648\u0636 \u0627\u0644\u0633\u064A\u0631\u0643 \u0641\u064A \u062E\u064A\u0645\u0629 \u0643\u0628\u064A\u0631\u0629. \u0648\u0627\u0644\u0633\u064A\u0631\u0643 \u0645\u0646 \u0648\u0633\u0627\u0626\u0644 \u0627\u0644\u062A\u0631\u0641\u064A\u0647 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 \u0648\u0627\u0644\u0645\u062D\u0628\u0628\u0629 \u0644\u0644\u0635\u063A\u0627\u0631 \u0648\u0627\u0644\u0643\u0628\u0627\u0631 \u0639\u0644\u0649 \u062D\u062F \u0633\u0648\u0627\u0621."@ar . . . . . . . . . . . . . . . . . . . "Cirkus \u00E4r ett programformat, best\u00E5ende av tre komponenter: Kavalleriets ryttarkonster, manege och gatuartisteri. Den klassiska cirkusen spelas idag fr\u00E4mst i t\u00E4lt och fasta cirkusbyggnader. Cirkus \u00E4r \u00E4ven namnet p\u00E5 de arrangerande f\u00F6retagen Akrobater, balansartister, trollkonstn\u00E4rer, clowner och s\u00E5 vidare \u00E4r \u00E4ven stommen i variet\u00E9 och nycirkus. I dessa sammanhang \u00E4r spelplatsen ofta en teaterscen eller utomhus. Oavsett vilket uttryck det handlar om, \u00E4r det samma artister med samma f\u00E4rdigheter som upptr\u00E4der."@sv . . . . . 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"Circus"@en . "Ein Zirkus (lateinisch circus \u201AKreis\u2018, \u201ARing\u2018, \u201Arunde Arena\u201A; Plural: Zirkusse) \u2013 oder auch Circus \u2013 ist meist eine Gruppe von Artisten, die eine Vorstellung mit verschiedenen artistischen (zirzensischen) Darbietungen (Akrobatik, Clownerie, Zauberei, Tierdressuren) zeigt. Wirtschaftlich gesehen ist ein Zirkus ein Unterhaltungsunternehmen."@de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uC11C\uCEE4\uC2A4 (\uB3D9\uC74C\uC774\uC758) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uC11C\uCEE4\uC2A4(circus)\uC740 \uACE1\uC608\uC0AC, \uC5B4\uB9BF\uAD11\uB300, \uC798 \uD6C8\uB828\uBC1B\uC740 \uC9D0\uC2B9, \uC74C\uC545\uAC00, \uC904\uD0C0\uB294 \uC0AC\uB78C, \uC7A1\uAE30\uC0AC, \uC678\uBC1C\uC790\uC804\uAC70 \uD0C0\uB294 \uC0AC\uB78C \uB4F1\uC758 \uBCFC\uAC70\uB9AC\uB97C \uC804\uC2DC\uD558\uB294 \uC21C\uD68C\uACF5\uC5F0\uB2E8\uC774\uB2E4. \uACE1\uB9C8\uB2E8(\u66F2\u99AC\u5718) \uB610\uB294 \uACE1\uC608\uB2E8(\u66F2\u85DD\u5718, \uBB38\uD654\uC5B4: \uAD50\uC608\uB2E8)\uC774\uB77C\uACE0\uB3C4 \uD55C\uB2E4. 14\uC138\uAE30 \uC601\uC5B4\uC5D0\uC11C \uCC98\uC74C \uB4F1\uC7A5\uD55C \uC11C\uCEE4\uC2A4(circus)\uB77C\uB294 \uC6A9\uC5B4\uB294 \uB77C\uD2F4\uC5B4 \uB0B1\uB9D0 \"circus\"\uC5D0\uC11C \uB098\uC628 \uAC83\uC774\uB2E4."@ko . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1124815610"^^ . . . . . . . . . . . . . . . . . . . . . .