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Subject Item
dbr:Overdubbing
rdf:type
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rdfs:label
Overdubbing Овердаббинг 오버더빙 Overdubbing Pålägg (inspelningsteknik) Overdub Overdubbing Overdubbing オーバー・ダビング Re-recording Sovraincisione Overdubbing
rdfs:comment
オーバー・ダビング(Over Dubbing)、またはオーバー・ダブ(Over Dub)とは、多重録音のことである。マルチトラック・レコーダーなどを使用し、最初に録音した音声などに対して、再度同じ音声などを重ね録り(被せ録り)するレコーディングの手法である。広い意味では「重ね録り」と呼ぶ場合もある。 同一の者が同じ歌や楽器演奏のパートをもう一度オーバー・ダビングする際は、ダブル・トラッキングと呼称され、音質補正や聴感上の響き方などを変えるためなどに用いられている。 CD-RやMD、オーディオ・カセットテープなどへの、音声データなど録音内容のコピー作業を指す「ダビング」とは、用例として区別されている。 Con il termine sovraincisione (o overdubbing) si intende la tecnica che consiste nell'inserire una determinata serie di suoni all'interno di una sessione precedentemente registrata. Tale tecnica nacque attorno agli anni cinquanta e viene utilizzata da musicisti negli studi di registrazione. Овердаббинг (англ. Overdubbing; процесс создания так называемого овердаба, или наложений) — музыкальная техника, используемая в аудиозаписи, при которой музыкальный отрывок записывается и накладывается два или более раз. Эта практика используется для записи вокала, музыкальных инструментов или ансамблей/оркестров. Le « re-recording », littéralement en français « réenregistrement », est une technique utilisée dans le domaine de la production audio. Elle consiste à enregistrer des sons rajoutés à d'autres sons déjà enregistrés afin de les mélanger au moment du mixage. « Re-recording » est un faux-ami en anglais. Le véritable terme équivalent est « dubbing ». À l'apparition de l'enregistrement multipiste, le terme « dubbing » devint « overdubbing ». Overdubbing – dogranie części wokalnej lub instrumentalnej do wcześniej już nagranego materiału. Ma to na celu uzyskanie pożądanego efektu o charakterze artystycznym. Ważnym czynnikiem w overdubbingu jest mikser i łączący materiał w całość. Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. Overdubbing adalah sejenis teknik yang digunakan pada perekaman audio. Seorang pemusik atau penyanyi akan mendengarkan rekaman suara yang telah dibuat (umumnya dengan menggunakan penyuara kuping di dalam studio perekaman) sembari memainkan atau menambahkan sebuah rekaman baru secara bersamaan, yang kemudian direkam. Tujuannya adalah menyatukan hasil-hasil rekaman yang telah dibuat sehingga menjadi hasil akhir yang diinginkan. Pålägg eller överdubbning (engelska: overdubbing) är en inspelningsteknik som innebär att en ny inspelning kombineras med en befintlig. Vid musikproduktion kan pålägg innebära att en musiker lyssnar på ett färdiginspelat musikstycke (vanligtvis genom hörlurar i en inspelningsstudio) och samtidigt spelar in ett nytt spår vid sidan av det första. Syftet är att slutmixen ska innehålla en kombination av dessa spår. Pålägg används också inom film, för att tillföra berättarröster eller översättningar. Tekniken skiljer sig från dubbning, där ett ljudspår istället ersätts av ett annat. Ein Overdub ist in der Tontechnik eine Tonaufnahme, die zu einer schon bestehenden Aufnahme (Playback) später hinzugemischt wird. Das entsprechende Aufzeichnungsverfahren im Tonstudio heißt Overdubbing. 오버더빙(Overdubbing, 오버덥(overdub)의 제작 과정을 뜻한다)는 음향녹음에서 사용되는 기술이다. 연주자는 보통 녹음실에서 헤드폰으로 기존에 녹음된 연주를 들으면서 그 음원과 동시에 새로운 연주를 하여 녹음한다. 이 ""들이 파이널 믹스에서 결합된 상태로 포함되는 것을 목표로 한다. 노래에 리듬 섹션(일반적으로 드럼을 포함한다)의 트래킹(다른 말로 "기본 트랙에 쌓아올리기")을 완료한 다음에 오버더빙을 진행한다(건반악기 또는 기타 등의 솔로 기악을 우선하며 그 뒤에 최종 보컬을 입힌다). 오버더빙은 1960년대 초반부터 대중음악의 녹음에서 표준적인 기술이었다. 현대에서는 기본적인 녹음 장비, 또는 사운드 카드가 탑재된 보통 PC로 디지털 오디오 워크스테이션 소프트웨어를 사용해 손쉽게 활용이 가능하다. Overdubbing (também conhecido como empilhamento de camadas de aúdio) é uma técnica utilizada na gravação de áudio, onde uma passagem (tipicamente musical) tenha sido pré-gravada, e, em seguida, durante a reprodução, uma outra parte é gravada para ir junto com o original. O processo de overdub pode ser repetido várias vezes. Esta técnica é frequentemente usada com cantores, bem como com instrumentos ou conjuntos/orquestras. Overdubbing normalmente é feito com o objetivo de adicionar riqueza e complexidade à gravação original. Por exemplo, se houver apenas um ou dois artistas envolvidos no processo de gravação, overdubbing pode dar o efeito de soar como muitos artistas. Overdubbing u overdubs también conocido en español como apilamiento de capas de audio, es la técnica de sobreponer capas de audio utilizada en los procesos de grabación musical cuando un músico ejecutante escucha una interpretación en una grabación ya existente (normalmente a través de auriculares en un estudio de grabación) y simultáneamente ejecuta una nueva interpretación, que también es grabada. La intención es que la mezcla final contenga una combinación del audio que ya existía y de la nueva interpretación.
owl:sameAs
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Con il termine sovraincisione (o overdubbing) si intende la tecnica che consiste nell'inserire una determinata serie di suoni all'interno di una sessione precedentemente registrata. Tale tecnica nacque attorno agli anni cinquanta e viene utilizzata da musicisti negli studi di registrazione. La sovraincisione presenta aspetti sia positivi che negativi. In primo luogo, infatti, permette di ovviare all'assenza di un membro del gruppo o dell'orchestra, registrandone la parte ed immettendola in un secondo tempo nella canzone. Inoltre, grazie ad essa, un brano con una strumentazione orchestrale può essere registrato da un singolo esecutore, che può suonare e registrare da solo i vari strumenti, aggiungendoli uno dopo l'altro, facendo così a meno di un'orchestra o band. Dall'altro lato, l'utilizzo di questa tecnica è spesso visto negativamente, perché accusato di creare suoni artificiali, che vanno così a modificare e quasi sempre a nascondere le reali capacità di un gruppo o di un musicista. Overdubbing (também conhecido como empilhamento de camadas de aúdio) é uma técnica utilizada na gravação de áudio, onde uma passagem (tipicamente musical) tenha sido pré-gravada, e, em seguida, durante a reprodução, uma outra parte é gravada para ir junto com o original. O processo de overdub pode ser repetido várias vezes. Esta técnica é frequentemente usada com cantores, bem como com instrumentos ou conjuntos/orquestras. Overdubbing normalmente é feito com o objetivo de adicionar riqueza e complexidade à gravação original. Por exemplo, se houver apenas um ou dois artistas envolvidos no processo de gravação, overdubbing pode dar o efeito de soar como muitos artistas. Em apresentações vocais, o artista geralmente ouve uma apresentação gravada existente (geralmente por meio de fones de ouvido em um estúdio de gravação) e simultaneamente executa uma nova apresentação junto com ela, que também é gravada. A intenção é que a mixagem final contenha uma combinação desses "dubs". Outro tipo de overdub é o chamado 'tracking' (ou "lay the basic tracks"), onde as faixas contendo a seção rítmica (geralmente incluindo bateria) são gravadas primeiro, em seguida, com overdubs (instrumentos solo, como teclado ou guitarra e, finalmente, vocais). Este método tem sido a técnica padrão para gravar música popular desde o início dos anos 1960. Hoje, o overdubbing pode ser realizado até mesmo em um equipamento básico de gravação ou em um PC típico equipado com uma placa de som, usando um software de estação de trabalho de áudio digital. Como o processo de overdubbing envolve trabalhar com material pré-gravado, os artistas envolvidos não precisam nunca terem se conhecido fisicamente, nem mesmo estar vivos. Em 1991, décadas após a morte de seu pai Nat King Cole, Natalie Cole lançou uma gravação de "dueto virtual" de "", onde ela fez overdub de seus vocais na gravação original de seu pai dos anos 1960. Como não há limite no intervalo de tempo com overdubbing, também não há limite na distância, nem no número de camadas de overdub. Talvez a gravação overdub colaborativa de maior alcance foi realizada por em 2013, onde ele editou juntos um "" de 8.409 faixas de áudio de 5.905 pessoas de 101 países. Overdubbing adalah sejenis teknik yang digunakan pada perekaman audio. Seorang pemusik atau penyanyi akan mendengarkan rekaman suara yang telah dibuat (umumnya dengan menggunakan penyuara kuping di dalam studio perekaman) sembari memainkan atau menambahkan sebuah rekaman baru secara bersamaan, yang kemudian direkam. Tujuannya adalah menyatukan hasil-hasil rekaman yang telah dibuat sehingga menjadi hasil akhir yang diinginkan. 오버더빙(Overdubbing, 오버덥(overdub)의 제작 과정을 뜻한다)는 음향녹음에서 사용되는 기술이다. 연주자는 보통 녹음실에서 헤드폰으로 기존에 녹음된 연주를 들으면서 그 음원과 동시에 새로운 연주를 하여 녹음한다. 이 ""들이 파이널 믹스에서 결합된 상태로 포함되는 것을 목표로 한다. 노래에 리듬 섹션(일반적으로 드럼을 포함한다)의 트래킹(다른 말로 "기본 트랙에 쌓아올리기")을 완료한 다음에 오버더빙을 진행한다(건반악기 또는 기타 등의 솔로 기악을 우선하며 그 뒤에 최종 보컬을 입힌다). 오버더빙은 1960년대 초반부터 대중음악의 녹음에서 표준적인 기술이었다. 현대에서는 기본적인 녹음 장비, 또는 사운드 카드가 탑재된 보통 PC로 디지털 오디오 워크스테이션 소프트웨어를 사용해 손쉽게 활용이 가능하다. Pålägg eller överdubbning (engelska: overdubbing) är en inspelningsteknik som innebär att en ny inspelning kombineras med en befintlig. Vid musikproduktion kan pålägg innebära att en musiker lyssnar på ett färdiginspelat musikstycke (vanligtvis genom hörlurar i en inspelningsstudio) och samtidigt spelar in ett nytt spår vid sidan av det första. Syftet är att slutmixen ska innehålla en kombination av dessa spår. Pålägg används också inom film, för att tillföra berättarröster eller översättningar. Tekniken skiljer sig från dubbning, där ett ljudspår istället ersätts av ett annat. Ein Overdub ist in der Tontechnik eine Tonaufnahme, die zu einer schon bestehenden Aufnahme (Playback) später hinzugemischt wird. Das entsprechende Aufzeichnungsverfahren im Tonstudio heißt Overdubbing. Овердаббинг (англ. Overdubbing; процесс создания так называемого овердаба, или наложений) — музыкальная техника, используемая в аудиозаписи, при которой музыкальный отрывок записывается и накладывается два или более раз. Эта практика используется для записи вокала, музыкальных инструментов или ансамблей/оркестров. Во время овердаббинга вокала исполнитель обычно слушает уже записанный дубль (как правило через наушники в студии звукозаписи) и параллельно исполняет новый — на фоне воспроизведения предыдущего, который также записывается на плёнку. Цель состоит в том, что окончательный микс будет содержать комбинацию двух этих «дублей» (англ. dubs). В итоге получается дублирование вокала. Другим видом овердаббинга является так называемый «трекинг» (англ. «tracking»; или «укладка основных треков»), где сначала записываются треки, содержащие ритм-секцию (как правило, включая ударные), а затем следуют наложения (сольные инструменты, такие как клавишные или гитара, и в самом конце — вокал). Этот метод был стандартным методом для записи популярной музыки с начала 1960-х гг. Сегодня наложение может быть выполнено даже на базовом записывающем оборудовании или типичном ПК, оснащенном звуковой картой, с использованием программного обеспечения digital audio workstation. Le « re-recording », littéralement en français « réenregistrement », est une technique utilisée dans le domaine de la production audio. Elle consiste à enregistrer des sons rajoutés à d'autres sons déjà enregistrés afin de les mélanger au moment du mixage. « Re-recording » est un faux-ami en anglais. Le véritable terme équivalent est « dubbing ». À l'apparition de l'enregistrement multipiste, le terme « dubbing » devint « overdubbing ». Overdubbing u overdubs también conocido en español como apilamiento de capas de audio, es la técnica de sobreponer capas de audio utilizada en los procesos de grabación musical cuando un músico ejecutante escucha una interpretación en una grabación ya existente (normalmente a través de auriculares en un estudio de grabación) y simultáneamente ejecuta una nueva interpretación, que también es grabada. La intención es que la mezcla final contenga una combinación del audio que ya existía y de la nueva interpretación. Colocar la pista grabada (o "poniendo cada una de las pistas básicas") de la sección rítmica (normalmente incluyendo batería o percusión) a una canción, y luego continuar con la superposición de nuevas capas de audio (como instrumentos solistas: teclados, guitarras, o voces cantantes), ha sido la técnica estándar para grabar música popular desde inicios del año 1960. Hoy en día, la técnica de overdubbing o apilamiento de capas puede ser conseguida incluso con herramientas básicas para captura de audio, así como con cualquier computadora portátil convencional que esté equipada con una tarjeta de sonido, por medio de algún software de captura de audio.​ Overdubbing – dogranie części wokalnej lub instrumentalnej do wcześniej już nagranego materiału. Ma to na celu uzyskanie pożądanego efektu o charakterze artystycznym. Ważnym czynnikiem w overdubbingu jest mikser i łączący materiał w całość. Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain a combination of these "dubs". Another kind of overdubbing is the so called "tracking" (or "laying the basic tracks"), where tracks containing the rhythm section (usually including drums) are recorded first, then following up with overdubs (solo instruments, such as keyboards or guitar, then finally vocals). This method has been the standard technique for recording popular music since the early 1960s. Today, overdubbing can be accomplished even on basic recording equipment, or a typical PC equipped with a sound card, using digital audio workstation software. Because the process of overdubbing involves working with pre-recorded material, the performers involved do not have to ever have physically met each other, nor even still be alive. In 1991, decades after her father Nat King Cole had died, Natalie Cole released a "virtual duet" recording of "Unforgettable" where she overdubbed her vocals onto her father's original recording from the 1960s. As there is no limit in timespan with overdubbing, there is likewise no limit in distance, nor in the number of overdubbed layers. Perhaps the most wide-reaching collaborative overdub recording was accomplished by Eric Whitacre in 2013, where he edited together a "Virtual Choir" of 8,409 audio tracks from 5,905 people from 101 countries. オーバー・ダビング(Over Dubbing)、またはオーバー・ダブ(Over Dub)とは、多重録音のことである。マルチトラック・レコーダーなどを使用し、最初に録音した音声などに対して、再度同じ音声などを重ね録り(被せ録り)するレコーディングの手法である。広い意味では「重ね録り」と呼ぶ場合もある。 同一の者が同じ歌や楽器演奏のパートをもう一度オーバー・ダビングする際は、ダブル・トラッキングと呼称され、音質補正や聴感上の響き方などを変えるためなどに用いられている。 CD-RやMD、オーディオ・カセットテープなどへの、音声データなど録音内容のコピー作業を指す「ダビング」とは、用例として区別されている。
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