About: Bettye Swann   Goto Sponge  NotDistinct  Permalink

An Entity of Type : wsb:Artist_Person, within Data Space : covidontheweb.inria.fr associated with source document(s)

AttributesValues
type
label
  • Bettye Swann
sameAs
name
  • Bettye Swann
gender
  • Female
abstract
  • Best known for her 1967 R&B chart-topper %22Make Me Yours,%22 Southern soul chanteuse Bettye Swann was born Betty Jean Champion in Shreveport, Louisiana on October 24, 1944.She first surfaced during the early 1960s as a member of the Fawns before mounting a solo career in 1964 with the Carolyn Franklin-penned %22Don't Wait Too Long,%22 the first of a series of Arthur Wright-produced singles for the independent Los Angeles label Money. %22The Man That Said No%22 and %22The Heartache Is Gone%22 followed in 1965, and two years later, Swann returned with the gorgeous %22Make Me Yours,%22 which also served as the title for her first full-length LP. 1967 saw the release of three more Money singles -- %22Fall in Love With Me,%22 %22Don't Look Back,%22 and %22I Think I'm Falling in Love%22 -- while the next year heralded a leap to major label Capitol for %22My Heart Is Closed for the Season.%22 The follow-up, %22Don't Touch Me,%22 was the first single released from Swann's second long-player, The Soul View Now; Don't You Ever Get Tired of Hurting Me? followed in 1969, highlighted by the minor hit %22Little Things Mean a Lot.%22 After a one-off single for Fame, 1971's %22I'm Just Living a Lie,%22 Swann landed at Atlantic; her label debut, %22Victim of a Foolish Heart,%22 cracked the R&B Top 20 in 1972, and was revived over three decades later by blue-eyed soul upstart Joss Stone. Her next Atlantic effort, %22I'd Rather Go Blind,%22 was notable in large part for its B-side, a reading of Merle Haggard's %22Today I Started Loving You Again,%22 that proved Swann a superb interpreter of country-soul -- 1973's %22Yours Until Tomorrow%22 was backed by another Nashville cover, this time Tammy Wynette's %22Til I Get It Right.%22 In 1974, she made a return to the lower rungs of the Billboard Hot 100 with %22The Boy Next Door%22 -- the flip side, %22Kiss My Love Goodbye,%22 found Swann operating firmly in Philly soul territory, its slick, urbane production courtesy of the Young Professionals team of LeBaron Taylor, Phil Hurtt, and Tony Bell. With 1975's %22All the Way In or All the Way Out%22 she again enjoyed minor chart success, but subsequent recording sessions are undocumented, and Swann eventually faded from sight.
schema:alternateName
  • Swann
  • B. Swan
  • B. Swann
  • Betty Swan
  • Betty Swann
  • Bettye Jean Champion
  • Bettye Swan
discogs
musicbrainz
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  • 648f240f-50e6-453d-b901-51e1a33ca4c0
universally unique identifier
  • 56d8024053a7ddfc01f90f79
schema:birthDate
  • 1944-10-24
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  • 126742
wsb:deezer_fans
wsb:deezer_page
wsb:discogs_id
  • 241149
wsb:iTunes_page
wsb:location
wsb:name_without_accent
  • Bettye Swann
wsb:spotify_page
wsb:wikia_page
wsb:wikidata_page
is mo:performer of
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